Showing posts with label blogs. Show all posts
Showing posts with label blogs. Show all posts

21 September 2009

blog this!



Here's a great bookmarklet for all you bloggers.
  • Click on the link and then drag the "blog this!" link up to your bookmark toolbar.
  • Then when you come across something you'd like to share on your blog, all you have to do is click on your bookmarklet and it creates a post for you.
  • One drawback--it only creates links to images, doesn't actually display the image--but it's a nice way to start a post.

20 September 2009

editing photos

I'm using Andrea's photo here as an example, but this post is for all of you. Make sure you edit your photos before you post them on your blog. Make them as professional-looking as possible. This means nothing around the image--no carpet, no wall, nothing. Make sure they are in focus and the exposure and contrast are adjusted to the right levels.

All this takes just a few minutes in photoshop or other online photo editing services--even preview.

Here are before and after shots of one of Andrea's expression studies.





elena kalis



Kalyn posted some images from the photographer Elena Kalis.
Some beautiful work.

it's art mag



Megan posted an interview in her blog from this site. Check it out, especially if you're interested in illustration and/or digital art-making.

it's art mag

here's an image I like from the sketchbook category of the gallery.

09 September 2009

weekly reflections

Your ongoing assignment this semester will be to use your life drawing blog as a tool for reflection. You will be expected to post one reflection per week. This reflection should consist of at least one image and one paragraph of writing which addresses the past week of Life Drawing II, III, or IV--in class or with homework.

Reflections should be meaningful to you personally and also be appropriate for sharing with other class members and other art & design professionals.

Reflections should consist of thoughts about your progress, what you are learning, what you are struggling with, what you notice in your work or other students' work, questions you have, links to books/websites/any other information that you have found useful or interesting in relation to that week's work in Life Drawing II, III, or IV.

Feel free to post more than once a week. Once a week is the minimum requirement and expectation for Life Drawing II.

For those in Life Drawing III and IV, the expectation is to post one reflection per week plus one post on a contemporary art issue (artist, art critic, museum show, gallery, etc.).

We will take time during class each day to present these reflections/blog posts.  Each of you will be asked to do this twice during the semester. I will choose students to present each day, not in any particular order (to keep you on your toes!).

Quality and thoughtfulness of reflections and other blog posts will be reflected in your midterm and final grades, as will the quality of your presentations.

first assignment, fall 2009

  1. if you do not have a life drawing blog set up yet, do so.  for those of you who do have blogs, inform me of any changes to titles, url's, etc.
  2. create an introductory post: why are you taking life drawing two, what do you hope to learn this semester, what would you like to improve upon, etc. Include a few images of your other art work to give us an idea of what you do outside this course.
  3. once you have your blog information ready, send an email to fichtera@uwstout.edu with your name, your blog's title, and your blog's url.
  4. have supplies ready to go for next monday, sep. 14.


20 October 2008

full skeleton assignment


due november 10 (monday):
  • one front 3/4 view of the full skeleton with value on the side plane
  • one back 3/4 view of the full skeleton with value on the side plane

  1. use stonehenge 38" x 50" paper and tape or draw off a 2" border on all sides
  2. you may use the big drawing boards in 303
  3. you may use charcoal, conté, or graphite



objectives for the assignment:
  • to represent the skeleton accurately in terms of anatomy and structure. this includes such things as treating the rib cage as a simple solid first, then drawing the individual ribs, and making sure that we can understand in the drawing how the ribs articulate with the spinal column. it means making sure all joints are believable, diagrammatic. make sure the bones are drawn as characteristically as possible: does the femur look like the longest bone in the body? does the humerus have a twist? is the fibula lower than the tibia? does the scapula occupy ribs 2 - 7? etc. all parts of the drawing should be as three-dimensional as possible, through adding and/or exaggerating edge planes.
  • to create a structurally clear and anatomically accurate drawing that also emphasizes line variation. use line to 1) to create a sense of three-dimensionality within each form itself, and 2) create atmospheric perspective in the drawing (most contrast and detail in foreground, less contrast and detail in background). you will utilize edges/outlines for sure, but all outlines should be varied--if one edge of a bone is dark, the other should be light. edges on the light planes are best if they have some openness (let the open/gapped lines imply the edge).
  • to use linear value. you will add a darker value to one plane in the drawing. you will choose a light source (typically above and to one side, like the sun at 10 am or 2 pm, for example). the plane away from the light source will be your darker plane, or your "side" plane. this works best when this plane is also the smaller of the two planes (larger front plane, narrower side plane, for example). this is so the drawing does not get overwhelmed with too much value. feel free to keep the value subtle. a little value can go a long way to adding to the illusion you've set up through line. too dark or textured of a value can have the opposite effect--so go easy.
  • to incorporate your own drawing "handwriting." work on refining your own way of putting down marks, erasing, and laying down value. rely on your strengths and your natural tendencies to your advantage. try to find what makes sense to you as a draftsperson as you work with value and marks. each of you have your own way of creating a drawing. take the best of what you work with naturally and incorporate the ideas of line variation and linear value within your own style or handwriting.
  • to use the principals of design to create a successful figure/ground relationship on the picture plane. we talked about the extra width of the page in relation to the height of the skeleton, and to make use of that extra space by incorporating close-up drawings of joints, vertebrae, the skull, etc. you could even add notes in this space as long as they add to the overall aesthetic of the drawing rather than distract from it. when you are trying to figure out what makes a good use of the page, think of the principals of design you learned as freshmen: balance, repetition, contrast, harmony, dominance, unity.
  • to be conscious of your drawing process through the entire process of this assignment. for each drawing session you work on the skeleton, photograph your drawing (at least one with the skeleton in view) and write about the drawing process--what you accomplished, what you figured out, what problems you came across, what you plan to work on first next time, what you will need to do before you come back to the drawing, etc. create a blog post with this information for each of your drawing sessions as you work on this assignment.
  • to help your blog group members through this assignment. each day from now until the assignment due date check your group members' blogs to see if they have posted about their skeleton assignment. if so, look at their images, read their summaries of their drawing processes, and comment thoughtfully and meaningfully to help them create the best skeleton drawings they can at this point in their education/artistic career. do this through noticing and asking questions first, then through advice-giving if the artist asks for it.

16 September 2008

fig drawing


fig drawing
here's a great figure drawing blog with beautiful examples. you'll want to come back to this one. from the profile info: the blog's creator is chris muller, teaching on fig(ure) drawing at new york university's tisch school of the arts, in the design for theater and film department.

here's an image on the rib cage: